This documentary explores the conflict provoked by the reintroduction of brown bears in the midst of a traditional shepherding community in the heights of the French Pyrenees. The film follows Yves, an ageing shepherd who struggles to find a successor, and Cyril, a teenage boy who spends his free time tracking and photographing the bears.
The shepherds are losing sheep to bears, which have been reintroduced into the area, with apparently little support given to the shepherds (they are given no compensation for lost sheep and the bear-scarers and electric fences they are given don't really seem adequate to the job). I love the idea of bears being reintroduced into areas where they used to live, but if I were a shepherd in that area I would expect at the very least compensation for lost sheep and sturdy electric fencing to corral the animals at nightime. The arguments of both the shepherds, the photographer and the conservationists are all sensitively presented and the audience is left with a sense that this is a conflict full of nuance and with no easy answers (well except maybe good compensation and sturdy electric fences).
The documentary doesn't shy away from showing the bloody side of farming, including dying livestock. On the other hand, it is prevented from becoming too heavy with interludes including a wedding celebration and an extended chase scene involving a feisty rooster.
The stunning cinematography and immersive storytelling show us a world of tradition, community and humanity’s increasingly fraught relationship with a vanishing natural world.
Currently screening at The Filmhouse in Edinburgh and probably elsewhere, check your local independent cinema.
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